{"id":166,"date":"2025-07-02T16:04:30","date_gmt":"2025-07-02T14:04:30","guid":{"rendered":"https:\/\/www.gillesgrimaitre.com\/?p=166"},"modified":"2025-08-26T23:49:28","modified_gmt":"2025-08-26T21:49:28","slug":"w-alexandre-babel-elsa-dorbath","status":"publish","type":"post","link":"https:\/\/www.gillesgrimaitre.com\/index.php\/2025\/07\/02\/w-alexandre-babel-elsa-dorbath\/","title":{"rendered":""},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.gillesgrimaitre.com\/wp-content\/uploads\/2025\/07\/The-Quiet-Rush-paysage-\u00a9-Vincent-Membrez-1024x683.jpeg\" alt=\"\" class=\"wp-image-202\" srcset=\"https:\/\/www.gillesgrimaitre.com\/wp-content\/uploads\/2025\/07\/The-Quiet-Rush-paysage-\u00a9-Vincent-Membrez-1024x683.jpeg 1024w, https:\/\/www.gillesgrimaitre.com\/wp-content\/uploads\/2025\/07\/The-Quiet-Rush-paysage-\u00a9-Vincent-Membrez-300x200.jpeg 300w, https:\/\/www.gillesgrimaitre.com\/wp-content\/uploads\/2025\/07\/The-Quiet-Rush-paysage-\u00a9-Vincent-Membrez-768x512.jpeg 768w, https:\/\/www.gillesgrimaitre.com\/wp-content\/uploads\/2025\/07\/The-Quiet-Rush-paysage-\u00a9-Vincent-Membrez-1536x1024.jpeg 1536w, https:\/\/www.gillesgrimaitre.com\/wp-content\/uploads\/2025\/07\/The-Quiet-Rush-paysage-\u00a9-Vincent-Membrez-2048x1365.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vincent membrez<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>w\/ <a href=\"https:\/\/alexandrebabel.com\/\">Alexandre Babel<\/a>, <a href=\"https:\/\/www.elsadorbath.com\/\">Elsa Dorbath<\/a><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>impacts and timbres blend and merge between the instrumentalists in rhythmic sequences that repeat and repeat without ever really sounding the same.&nbsp;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Way Down_for cello and piano\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/3zO4_DtTP48?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"THE QUIET RUSH\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/fw9gPA1spOs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>w\/ Alexandre Babel, Elsa Dorbath impacts and timbres blend and merge between the instrumentalists in rhythmic sequences that repeat and repeat without ever really sounding the same.&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17],"tags":[],"class_list":["post-166","post","type-post","status-publish","format-standard","hentry","category-the-quiet-rush"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.gillesgrimaitre.com\/index.php\/wp-json\/wp\/v2\/posts\/166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gillesgrimaitre.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gillesgrimaitre.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gillesgrimaitre.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gillesgrimaitre.com\/index.php\/wp-json\/wp\/v2\/comments?post=166"}],"version-history":[{"count":4,"href":"https:\/\/www.gillesgrimaitre.com\/index.php\/wp-json\/wp\/v2\/posts\/166\/revisions"}],"predecessor-version":[{"id":884,"href":"https:\/\/www.gillesgrimaitre.com\/index.php\/wp-json\/wp\/v2\/posts\/166\/revisions\/884"}],"wp:attachment":[{"href":"https:\/\/www.gillesgrimaitre.com\/index.php\/wp-json\/wp\/v2\/media?parent=166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gillesgrimaitre.com\/index.php\/wp-json\/wp\/v2\/categories?post=166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gillesgrimaitre.com\/index.php\/wp-json\/wp\/v2\/tags?post=166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}